Dido Music Info: 99: The Soundtrack To Your Life

f you want to know why she`s so exhausted, check out Popcorn Dialogues later today: last night we watched The Big Hit, and it was an inventive, imaginative, aspirational new class of bad.

But forth to today`s topic.The AV Club - which is awesome, despite being wrong about Mr. Sunshine - recently began a new feature in which its music writers look back at the single year which was the most influential, important or memorable to them.It is called, rather imaginatively, My Favourite Music Year.

For me, it has to be 1992.I had been into music for a couple of years, and was beginning to see the queen and durability of which it was capable, and so_ well, in the seat of a year, most of the defining albums of my youth were released.They were, in no particular order:

• Change Everything by Del Amitri (featuring Always The Net To Know)
• It`s A Pity About Ray by The Lemonheads (featuring Mrs. Robinson)
• Grave Dancer`s Union by Soul Asylum (featuring Runaway Train)
• Automatic For The People by REM (featuring Nightswimming)
• Little Earthquakes by Tori Amos (featuring Silent All These Years)
• Gordon by Barenaked Ladies (featuring What A Good Boy)

Quite a year, and one which influenced my taste in music profoundly for the residue of the x and beyond.The only two albums that are missing from the list are Nirvana`s Nevermind, which came out in 1991, and Counting Crows` August And Everything After, which came out in 1993.

So, Betties: which sort is the most important in your own musical history?Which albums changed your life? Which year, if all others were to be deleted from your CD shelf or iTunes account, would you save?

Have a big day, everyone, and FGBVs to all!

99: The Soundtrack To Your Life

99: The Soundtrack To Your Life

Postedby Alastair on Feb 28, 2011 in A Year and Change, Blog | 36 comments

It`s another Monday morning, dear Betties, and this one finds us facing the black reality of two-digit post numbers amidst terrible thunderstorms here in Southern Ohio.Lucy will return tomorrow, but I pointed out to her that since I now legally own 50% of the blog, it`s alright to let me picking up the slack from sentence to time.

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Dido - If I Rise Music Lyrics and Video Clips - wagineminfo

Wednesday, February 23, 2011 Dido -If I Rise Music Lyrics and Video Clips

If I Prove by Dido and A.R. Rahman, Music Lyrics and VideoIf I Grow is a pop song performed by English singer Dido and Indian film composer and singer A. R. Rahman, composed by A. R. Rahman, with lyrics by Dido and her brother Rollo. The chorus portion of the call is sung by The Gleehive Children`s Choir, Mumbai.

Dido Music Info: OPERA SAN MIGUEL - DIDO and AENEAS" HENRY PURCELL.

Culture OPERA SAN MIGUEL - DIDO and AENEAS"HENRY PURCELL.

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Contributor / 2011-02-20 11:32:48

Casa De Cultura, San Miguel De Salinas, February 18th, 2011. Apart from sitting on each other's laps, there was very small way to lay any latecomers to Friday's performance of Purcell's Greek tragedy "Dido & Aeneas".

OPERA SAN MIGUEL - DIDO and AENEAS" HENRY PURCELL.

Culture OPERA SAN MIGUEL - DIDO and AENEAS"HENRY PURCELL.

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Contributor / 2011-02-20 11:32:48

Casa De Cultura, San Miguel De Salinas, February 18th, 2011. Apart from session on each other's laps, there was really small way to place any latecomers to Friday's performance of Purcell's Greek tragedy "Dido & Aeneas".

Dido Music Info: Dido's World: photos of work at last.

Well I made it on the lappy tonight so I thought I had better get the photo's of the camera and uploaded for a change.first of here is my first finished shawl. It was a long time in the making not because of the knitting because of finding some place to leave it but in the end I got smart and used the bed base that been sitting on its end in the garage for the past year.

Dido's World: photos of influence at last.

Well I made it on the lappy tonight so I thinking I had best get the photo's of the camera and uploaded for a change.first of hera is my first finished shawl. It was a long sentence in the making not because of the knitting because of finding some order to forget it but in the end I got smart and exploited the bed base that been seated on its end in the garage for the preceding year.

Jessica Duchen's Classical Music Blog: Turnage, Thomas and a tale .

trying to decide whether that is chiefly thanks to Mark Anthony Turnage's music, Richard Thomas's words, the roller-coaster staging by Richard Jones, the relishful performances from every singer on level or the verve of Tony Pappano and the orchestra and band, you realize that it's the unit stretch of them together, forming the perfect team. I'd care to know, though, if Richard Jones has a thing about smiley faces. Smileys grace the support of the drained, "low wages" blues-number WalMart employees; Smileys too, incongruous likewise, back in his Macbeth at Glyndebourne. Signature image? A few issues to research at slightly greater length here. The opera moves from animation to end in the most intuitive way: the low half is all brilliance, colour, images of fairy-tale scale - Anna's big plastic-golden throne from which she narrates the 1st region of her story into the willing microphones, and the pole dancers gleam like Rhinemaidens out of a bronzy, hazy tank. The libretto bounced and twirled, not taking itself too seriously, super-ironic and much very funny. Stern the Lawyer - Gerald Finlay in max-evil mode - puts in an appearance in Act 1 and the chorus flings insults at him. Beelzebub! Shiva the Destroyer of Worlds! Worst of all: Not Cool! Then he comes back and they do more of it. He rounds on them: "Anything else?" "Yoko Ono!" they cry. And Anna reminds him: "Honey, you're not in the report yet!" By the interval I thought I'd got it: hooray! It would have been so easily for this opera to go out judgmental and salacious; instead it's a celebration of life. They're not saying "she sold her person for a boob job and so see what happened to her, yah boo sucks", they're saying: "milk life for its joys, because they're gone too fast - be extreme and know it because tomorrow we." Oh, but hang on - they aren't. The 2nd half grows increasingly chilly: the thronging, singing, bright-suited chorus is slowly replaced by black-clad silent dancers with film cameras for heads, slinking around like Harry Potter dementors that suck out the leave to live. The fairy-tale lighting becomes bleaker and starker. Anna's beloved son sings only after he's dead. Anna's mother, who is moral but extremely judgmental, has more and more to do. The chorus melts away. All that's left are those camera-dementors and some pretty harsh judgments. "Oh America, you dirty whore, I gave you everything and you wanted more," Anna sings, about to die. Yes, Anna Nicole is a vivid metaphor for the descent and fall of western excess, maybe capitalism itself. But we can see that. Would it have been better not to do us complete the mind with it? I hoped the report would speak, and sing, for itself and let us to draw our own conclusions. Thumping blame onto America in an opera for Covent Garden is just.too easy. Yes, Anna Nicole was American, but western civilization as a solid has willingly lapped up the world that destroyed her. A topic that sounds derived from Fanfare for the Green Man runs through the score; the mantle that covers the transition of ten days is loaded with images of hamburgers. "Supersize me!" the initially reluctant Anna says to the plastic surgeon who's about to make her back pain for life. Come on, we all bought into this. We can't just change the blame. I also wonder slightly around the reporting style of the storytelling. This is an opera about the cultivation of life under constant reflection and it is not least the media intrusion, milked so horribly, that helps to destroy Anna. So in that sense, the weight is in keeping with the thrust, so to speak. But if you are telling rather than inhabiting a story, the emotion tends to remain at one remove. The music itself is right enough to have a ball in the throat when Daniel utters his dirge of drugs and when Anna, taking a few leaves out of Dido and Aeneas's book, mourns him. It certainly doesn't provide you cold. Still, I wanted more set-up to the tragedy - more of the nearness of Anna and her son and why he took to drugs, for instance; some of the second act's drama is a little sketchy, given the horrors it portrays (Anna giving birth on pay-per-view is another step on the downward plunge). And I wanted to give the real essence of the humanity, to get inside the characters' heads and be the disaster with them as Verdi, for instance, would have; but this very post-modern take ultimately doesn't allow the recognition that would take it possible. As for Turnage, though - I guess this may be the opera he was natural to write. His style really crystallises in it: the base is atonal and broad of rough-edged textures and crunchy harmonies that you can actually get your teeth into, yet it's also melodic and nip done with jazz, blues and a bit of rock 'n' roll in the party scene (hints here of his alleged flirtation with Beyonce and 'Single Ladies' at last year's Proms). It's a personal representative and a very contemporary one, but it's always listenable, memorable, focused. He's always had a sound instinct for zeitgeist-trapping - remember Greek in the 1980s? - and hera that instinct comes of age. It's a story for our times - and only future experiences will state whether it'll become a classic, revivable in ten, 20 or 50 years with more rewards to be gleaned on every hearing. Yesterday was its world premiere, remember. Oh, and yes, it was accompanied by a lot of so-called celebs - the station was brimming with people I thinking I recognised only wasn't sure whether or not I did. Seems that Boy George was there, and Norman Lamont - and only about every critic on earth. One final observation. Two major premieres are happening this nearly-spring. The Royal Opera gets Anna Nicole. The Imperial Ballet gets. Alice in Wonderland. Same planet, same theatre, different worlds...

Dido Music Info: Above And Beyond - Groove Radio International!08 .

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Katy Perry: !011 European tour dates

The "Teenage Dreams" darling, Katy Perry took time out for a photo spread to decorate the November 2010 issue ofCosmopolitan magazine. In the accompanying interview, Miss Perry chatted about music and her man, as she said, "My book is like an airplane's black box. That's where all the data is. If you need to recognize what happened or what my viewpoints are, it's all right there.

Katy Perry: !011 European tour dates

The "Teenage Dreams" darling, Katy Perry took time out for a photo spread to decorate the November 2010 issue ofCosmopolitan magazine. In the accompanying interview, Miss Perry chatted about music and her man, as she said, "My book is like an airplane's black box. That's where all the data is. If you need to recognize what happened or what my viewpoints are, it's all right there.

Dido Music Info: Dido Music Info: Miranda Lambert's ACM Joy, New .

Dido Music Info: Miranda Lambert's ACM Joy, New Tour Dates

Revealing this year`s hopefuls, Miranda Lambert was busy announcing the 46th Annual Academy of Country Music Awards Nominations live in Nashville, Tennessee on Tuesday (February 1).

The "Kerosene" singer was linked by Ronnie Dunn of Brooks &

Dido Music Info: Miranda Lambert's ACM Joy, New Tour Dates

Revealing this year`s hopefuls, Miranda Lambert was busy announcing the 46th Annual Academy of Country Music Awards Nominations live in Nashville, Tennessee on Tuesday (February 1).

The "Kerosene" singer was joined by Ronnie Dunn of Brooks & Dunn on the CBS Morning Show broadcast live from The Country Music Hall of Fame.

Doing quite right for herself, Miss Lambert topped the tent with seven bids while the Zac Brown Band and Kenny Chesney both received 5 nominations.

Miranda Lambert's ACM Joy, New Tour Dates

Revealing this year`s hopefuls, Miranda Lambert was busy announcing the 46th Annual Academy of Country Music Awards Nominations live in Nashville, Tennessee on Tuesday (February 1).

The "Kerosene" singer was linked by Ronnie Dunn of Brooks & Dunn on the CBS Morning Show broadcast live from The Country Music Hall of Fame.

Dido Music Info: needlecream - More Ranseive Randoms

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